New to Screaming into the Hollywood Abyss?
Here are some great episodes to start with. Or, check out episodes by topic.
Recent Episodes
May 15, 2025
Take 143 - Writer Daniel Casey, 10 Cloverfield Lane, F9
We bring on the fascinating Daniel Casey. He tells us his Hollywood origin story, giving up directing to get a script moving, his route to F9 and the excitement of working on a serious franchise. Daniel talks about the exciti...
May 8, 2025
Take 142 - Actor, Writer, Director, Author, Producer Eriq La Salle, Coming to America, On Call
We are delighted to have the legendary Eriq La Salle on the show. The talented actor, writer, producer, director and novelist joins us to talk about his illustrious career, the power of storytelling and his love of acting but not necessarily some of the business of acting. We talk about a writing r…
March 27, 2025
Take 141 - Arika Lisanne Mittman, Writer, Showrunner, Timeless, La Brea, The Irrational
We talk to The Irrational Showrunner Arika Lisanne Mittman. She talks about her ten years as an assistant, finally getting her break and what she learned along the way. We discuss the rise and fall of network television, what...
March 20, 2025
Take 140 - Showrunner Joe Wilson, The Equalizer
We talk to Equalizer showrunner Joe Wilson. In one of our most candid episodes so far, he talks about his journey from East Cleveland to Hollywood, the tough days at the start and even sleeping in his car. He explains how he ...
March 13, 2025
Take 139 - Co-Creators Tim Walsh and Elliot Wolf, On Call
It's always fun we have two guests on, particularly when they are talking about Wolf Productions first go at a streaming platform. We talk to showrunner Tim Walsh and co-creator Elliot Wolf about their new show On Call, makin...
March 6, 2025
Take 138 - Showrunner, Writer Sally Bradford Mckenna, Will & Grace, Laid
We talk to Sally Bradford Mckenna, co-showrunner of the new Peacock show Laid. She explains how she first got her break, reluctantly, on Will & Grace, how her father's career helped shaped hers and why every show needs two sh...
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